year: 1974
director: BRESSON, ROBERT
genre: mythology ;
with Luc Simon, Laura Duke Condominas, Dalsan Humbert, Vladimir Antolek-Olesek, Patrick Bernard, Arthur Demont-Alembert, Joseph Patrick Le Quindre, Charles Balsan, Christian Schlumberger, Jean-Pan Leperlier, Guy De Bernis, Chleo Philippe, Jean-Marie Becar, Antoine Rabaud, Marie-Louis Buffet, Marie -Gabrielle Cartron, Tullio Attana Christian Alfredo Gallo
location: France
Rating: 1.5 / 6
How to Give Morando Morandini wrong when he writes that in comparison to Bresson Antonioni seems to be a commercial director "after seeing Lancelot and Guinevere, the most expensive and ambitious film by French? Too bad that the same stylistic asceticism Morandini, deal of the filmmaker over the Alps, exalting. More prosaically and fantozzianamente, Lancelot du Lac is a boiata crazy. The story is epic and well-known crusader of Lancelot (Simon) who returned empty-handed and with an accounting loss of life seriously in the red by the quest for the Holy Grail, King Arthur is hostile (Dalsan) Amandonico the bride Geneva (Duke Condominas) . It is the quickest way to be against the lackeys of the ruling, which Lancelot is forced to take on the duel. In Hollywood it would have made a film in 3D. Bresson instead prefers the immobility of the camera, alienated and lackluster acting (a high school kid forced to recite "Old Western" Carducci modulate the voice in a more professional), the dialogues of a pomposity worthy of Carmelo Bene. Cinema lethargic, sluggish, malmostoso, laconic, stuff to accommodate the trampling of hooves and the clatter of armor as an unexpected adrenaline discharge.
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